Dateline: 4 December 2025. We had one full day in Jaipur, and we began our activities at Amber Fort. It rose from the Aravalli hills in a way that required us to take a second look. Perched above Maota Lake, its walls followed the ridgelines in sweeping curves. This was once the capital of the Kachwaha Rajputs, and much of what we saw dated back to the reign of Maharaja Man Singh I in the late 16th century, with later rulers adding their own layers to the structure. So what stood before us was not the vision of a single ruler but an accumulation of several over time. The coach parked a distance away and we continued our journey by local transport, one that could negotiate tight and narrow corners easily.
We passed through the great gates into Jaleb Chowk, the first courtyard, where returning armies once displayed their victory spoils. Today tourists have replaced soldiers and cameras, swords. Beyond it was the Diwan-e-Aam or Hall of Public Audience, that stretched across a forest of columns capped with elephant-shaped brackets.
From there we moved through Ganesh Pol, the gateway to the private quarters. The frescoes and mosaics were delicate after the stern exterior walls. Beyond was the Sheesh Mahal or Mirror Palace, with its ceilings and walls set with thousands of tiny convex mirrors. The guide repeated the familiar tale of how a single candle could set the entire chamber aglow. Whether or not the claim was tested, it was easy to imagine the effect.
What struck me as much as the ornamentation was the engineering. Water from the lake below was drawn up through a system of wheels and channels to feed fountains and gardens within the fort.
Standing along the ramparts, looking across the valley, I could take in the horizon. It was a commanding view; the Maharaja could see danger before it arrived and if flight was necessary, a subterranean passage was there to enable escape. Yet inside those defensive walls were gardens, courtyards and mirrored chambers. This was a self-contained world that balanced vigilance with splendour.
We then descended into the city and made our way to the City Palace. If Amber Fort felt martial and elevated, the City Palace felt grounded and administrative. Built in 1727 by Maharaja Sawai Jai Singh II when he shifted his capital from the hills to the plains, it occupied the heart of the old city.
Mubarak Mahal, once a reception hall for visiting dignitaries, is now a museum displaying royal textiles and pashminas. Among them, an ancient Indian chess set caught my attention. In the Diwan-e-Khas or Hall of Private Audience stood the Gangajalis, two enormous silver urns said to be the largest silver vessels in the world. They once carried Ganges water to England for an eccentric maharaja unwilling to drink foreign water.
A short distance away was the Hawa Mahal. Though within walking distance, the e-scooter took a somewhat roundabout way to reach it. Its five-storey facade, built in 1799, resembled a honeycomb of 953 small latticed windows. From behind these jharokhas, royal ladies watched processions without themselves being seen. The latticework also channeled air through the structure and offered respite from the heat.
Along the main road below ran the bazaars, the true pulse of the city. Where one ended and another began was hard for us to tell. Shops spilled into one another, selling items like jewellery, enamel work, textiles and leather products. The storefronts shared that distinctive Jaipur pink. Vehicular traffic pressed forward without pause. Scooters wove through pedestrians who in turn darted in and out of the shops in search of bargain. Dynamic balance between sacredness at Amber Fort, sovereignty at City Palace and commerce here in Hawa Mahal.
Our final stop was Birla Mandir at the foot of Moti Dungri Hill. After the histories of Amber Fort and City Palace, this white marble temple which opened in 1988 by the Birla Foundation felt almost too pristine. Its walls bore carvings not only of Hindu deities but also of figures such as Socrates, Buddha, Jesus and even Martin Luther King Jr. The main sanctum, however, was devoted to Vishnu and Lakshmi in finely carved marble. For unknown reasons, guards prevented visitors from taking photographs of the temple's interior. Futile effort, actually, because one could still take a picture of the deities with a long zoom lens from the outside.
The place was undeniably clean and orderly. Yet I did not find it impressive. Maybe I was simply too tired after a whole day of exploration. An overload of senses, of history, of culture. Perhaps it was also unfair to weigh a 20th-century temple against 17th- and 18th-century monuments. Still, Birla Mandir felt curated and unnatural, almost like a carefully assembled statement rather than something shaped gradually by time and trial.
All too soon the day drew to a close and we returned to our hotel, thankful for the rest. I sank into bed, switching off the lights and the noise of the day. The next morning we would leave for Delhi. After 14 days on the road, our journey was nearing its end.
Nepal-India Day 15: Jaipur to Delhi
Nepal-India Day 13: Agra
Nepal-India Day 11: Varanasi deer park
Nepal-India Day 9 and 10: Bodhgaya to Varanasi
Nepal-India Day 7: Vaishali
Nepal-India Day 6: Kushinagar
Nepal-India Day 6: Shravasti
Nepal-India Day 5: Lumbini to Shravasti
Nepal-India Days 3 and 4: The sala tree
Nepal-India Days 3 and 4: Lumbini and Kapilvastu




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